The Mysterious Fifth Ennio Morricone Tune

This will officially end my unofficial Ennio Morricone birthday month celebration, but it was bought to my attention that in my tribute post I referenced five tracks that displayed the myriad range of the man's talent, but only posted four videos. Now either I forgot one, failed horribly at rudimentary mathematics or just typed five where I meant four...sadly my mind can be like a sieve and I have no recollection of which option applies.

Therefore, I present a fifth track to settle the deal, his score to Elio Petri's black comedy An Investigation of a Citizen Above Suspicion, about a Italian cop who is actually a murderer, hey it's a Dexter predecessor! I saw this about five years ago at a revival screening with some other of Petri's other film, he's a unique, political minded director who often mercilessly satirized the wealthy and powerful.

Morricone's score is as playful as Petri's film, a jaunty number with a syncopated beat that builds tension and serves as an oft-repeated anthem for the corrupt and murderous policeman.

Unfortunately most of Petri's oeuvre, including Investigation, is currently unavailable on DVD, a real shame especially considering that it won a Best Foreign Film Oscar and the Grand Prix at Cannes.

Morricone/Basterds Follow-Up

According to Variety (article link) Ennio Morricone has accepted Quentin Tarantino's offer to score his still in production Inglorious Basterds, but given the film's tight time constraints in trying to be completely shot and edited in time for next year's Cannes Film Festival, Morricone may not be able to provide more than a couple of tracks. 

Either way we will be hearing some original Morricone music accompanying Basterds when it hits theatres (which I am guessing will be Fall '09), but Mr. Tarantino it would wonderful if it's a fully realized collaboration. So to paraphrase your character in Pulp Fiction, "Quentin, you need to make some calls. You need to call some people. Then do it and get Ennio some dailies ASAP or you'll be fucking up my shit big-time!"

Happy Belated Birthday Ennio!

Last Monday one of the all time great film composers, make that musicians, celebrated his 80th birthday. I refer to none other than Mr. Ennio Morricone, and I humbly would like to wish him compleanno felice.

The one aspect of Morricone's legacy that sets him apart from other such distinguished composers as Bernard Hermann, Nino Rota, Danny Elfman, John Williams, Maurice Jarre, insert your personal favorite here, is his expansive variety. Throughout his career he's worked on projects ranging from hundred million dollar epics to the smallest micro budgeted exploitation flick, the lightest comedy to the darkest thriller. And as he reaches octogenarian status he shows no signs of laying low, he has five upcoming projects listed on IMDB and rumors are swirling that he will score Quentin Tarantino's next film, the much anticipated WWII saga Inglorious Basterds.

Here are five examples that in my estimation best display the man's varied talents.

The Good, The Bad and the Ugly


Of course any discussion of Morricone work has to start with his collaborations with director Sergio Leone. Perhaps the "Ecstasy of the Gold" sequence of G,B, & U is a bit obvious (a remix of the track is currently featured in a David Fincher directed NIKE commercial featuring LaDanian Tomlinson and Troy Polamalu) but standards are standards for a reason. I could have just has easily placed the entire Once Upon a Time in the West score or the opening to A Fistful of Dollars here.

The Battle of Algiers


Stylistically you cannot get much further from Leone's over the top cinematic playfulness to the docudrama form utilized by Gillo Pontecorvo in Algiers, but Morricone proves just as adept at handling both, providing a pulsating militaristic march.

The Exorcist II: The Heretic


Sometimes Morricone's score is the major highlight of the film, as is the case with his psychedelic score for John Boorman's much maligned, but occasionally interesting-in-a-gonzo- sort-of-way sequel to The Exorcist.

The Bird With the Crystal Plumage


Morricone collaborated with Italian giallo filmmaker Dario Argento three times (the "animal" trilogy) in the 1970's, the first team-up, The Bird with the Crystal Plumage set the bar for the other two films, the score incorporates sounds as disparate as sharp angled free jazz and the melodic, yet haunting, suite featured in the above clip with the delicate sound of a woman humming and lala-ing.

Of course I just scratched the surface of Morricone's nearly fifty year career, and could have easily included such other inventive and lively music pieces as the ones that accompany the following films:

For A Few Dollars More, Navajo Joe, Danger: Diabolik, Investigation of a Citizen Above Suspicion, Duck You Sucker!, Days of Heaven, Le Professional, Machine Gun McCain, John Carpenter's The Thing, Once Upon a Time in America, The Mission, The Untouchables....and on and on.

Notable albums for starters:

The Good, The Bad and the Ugly Soundtrack

Once Upon a Time in the West Soundtrack

Ennio Morricone Anthology: A Fistful of Film Music--a great two disc, 45 track career retrospective compiled by Rhino Records that spans his career from his first Leone score to the 1991 Pedro Almodovar film, Tie Me up! Tie Me Down!

For more adventurous listeners I recommend:

Ennio Morricone/Dario Argento Trilogy--collects music from Bird, Four Flies on Grey Velvet and Cat O' Nine Tails

Crime and Dissonance--another two disc compilation, this one collected by Faith No More and Fantomas vocalist Mike Patton for his record company, Ipecac, features some of Morricone more obscure and experimental works. 

Further reading:

His wikipedia page.

An article written by Video Watchdog editor and Mario Bava: All the Colors of the Dark author Tim Lucas with special attention to the music accompaniment to the McBain massacre in Once Upon a Time in the West.