3. Kagemusha (Akira Kurosawa)
Though less explicit than the film at number 2, Kagemusha is a ghost story, one concerning the unexpected (and for his battle experience, rather anti-climactic) death of the warlord Shingen, and how his spirit and influence pervades all he comes in contact with: his closest confidants who must grieve in silence and follow through with his battle plan, his son who is burdened with living up to the expectations of his father fully knowing he will never ascend to the same ranks, his disciples who worship him, and his enemies who fear him. Most integrally is the impact he has on the petty thief (Tatsuya Nakadai in a tremendous dual role) who bears a striking resemblance to Shingen and is offered the opportunity to impersonate the deceased warrior to maintain battle strategy. Through his influence, the thief is visited by the late warrior in his dreams, this “shadow warrior” keeps a dividing clan together and is offered redemption, while also providing a heretofore non existent touch of humanity to the warrior’s legacy.
Kurosawa’s late period masterpiece, released in America 20th Century Fox and co-funded by to executive producers Francis Ford Coppola and George Lucas, is presented as an epic, and culminates in a twenty plus minute battle of large scope and futile possibilities, but its focus is much more intimate: the circumstances that unite these two separate men, and how the influence of one haunts initially, but eventually improves, the other.
2. The Shining (Stanley Kubrick)
It’s appropriate that a film in which the main character’s tenuous grasp on reality steadily corrodes over the running time would leave viewers to question their own sanity. Wait, what was Jack Torrance doing in that New Year’s Day picture? How the hell did Scatman Crothers get to the Overlook hotel so quickly in that storm? How did Jack get out of the meat locker? Oh my! Why the hell is the guy in the bear suit giving that old man fellatio? Like all good horror films, questions remain unanswered.
Stanley Kubrick’s master class in tension, heavy on long steadicam shots, is at its most base elements the story of a man discovering that his best days are long gone and succumbing to the spirits of a hotel that too is irrelevant (at least in the winter months), unable to revive his struggling writing career, he revolts against his life’s impending uselessness. Tellingly the father, impacted by the ghost of the hotel’s past, will be thwarted by his son who has the power to see into the future.
The Shining is different things to different people. It could be both the scariest movie of all time to one person and ludicrously hilarious to another. A straight-forward crackerjack thriller with the occasional trips into symbolic imagery or a metaphor for a bout of writer’s block that manifests itself into something soul corrosive or even a subtext leaden missive on the plight of Native Americans. Or, if you’re Stephen King, a dispiriting bore with no respect for fidelity to the source material.
Whatever it may mean to you OH MY GOD! THAT IS A DUDE IN A BEAR SUIT GIVING SOME OLD DUDE FELLATIO!!!
Thursday, January 20, 2011
The 1980 Project: My 3rd and 2nd Favorite Movies of 1980
Posted by Colonel Mortimer at 7:00 PM
Labels: 1980, Needless Listmaking, The 80s Project
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Kagemusha is an inspired selection, Colonel. Which reminds me, I need to break out the gifted Blu-ray Disc of it I received and watch it again in high definition. For the longest, I didn't enjoy the emphasis and other changes (from King's novel) in Kubrick's adaptation for THE SHINING. Once I let that go, I really appreciated it. Great picks.
My father could never get over the differences between King's novel and Kubrick's movie, I guess I am okay with some surface differences in adaptations if the central core and themes are there.
And good to know of another Kagemusha fan, my most recent viewing skyrocketed it to this position, what a great film.
I'd love to know what your faves from 1980 are or were back then since I know you actually saw most of these films theatricallys
I may just take you up on that one, Colonel ;-).
The Shining took me a more then a few viewings to really get it. I thought it was just plain weird the first time, then funny, and I think the third or so time I understood why it was so good. I do recall dad talking about the differences and how he disliked them. I think the ending was a big reason for him. Cool list!
Alright, here's my faves from 1980, Colonel. Thanks.
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